Photo by Scott Beseler of www.taketheday.com
The Seedy Seeds don’t know you, but they already like you.
And you will like them too – I certainly did, after hearing their 2006 demo, and particularly “Earned Average Dance America,” (check out the track below, and see my essay for Song of the Day). It is a captivating combination of instrumental creativity and quirky lyrics. Margaret was kind enough to shed some light on her inner workings, creative process, and crayons.
Tell us a little about yourself…
My name is Margaret. I’m a transplant to Cincinnati—I grew up in Virginia. I like to think a lot. I also really like to cook.
How did you get started playing music?
My parents put me in piano lessons when I was maybe 6 or so… it didn’t last particularly long. Then, about five or six years later, when my older brother got a guitar, I’d sneak into his room when he was away and try and figure things out anxiously before anyone could catch me doing it. I’d make what I thought were really “progressive” and “experimental” tape recordings using my dad’s voice recorder. I bought my own guitar when I was 13 and started writing a lot of terrible music privately in my room.
What was the first recording you ever purchased?
Not sure I can remember… with my own money? Probably “The Sign” by Ace of Base. It’s the album that had all the jams… I wouldn’t share it with my little sister so she bought her own copy. Our home was rich with Ace of Base.
What do you think “indie” really means in terms of music? Is it an aesthetic, a culture, a state of being without cash?
When I first started going to shows, I had the impression that “indie” was a movement like any other, something that had come necessarily out of and in reaction to another movement. To me, “Indie” was an alternative to “alternative” rock radio. It definitely encompassed a particular sound, perhaps a sound mood, too. I remember when bands previously unknown to most of the people I knew suddenly became more accessible, and these sounds and sound moods excited a broader audience with their seeming newness, “indie” kind of expanded to encompass a lot more. Because it really stands to identify music produced by unsigned bands or bands who are not signed to major labels, “indie” now describes more sounds and styles of music than I’d previously given credit to. And to limit the term only to aesthetics would, I think, be unfair. It is most certainly a culture also.
By not elaborating on this last point I hope it doesn’t seem hastily or lazily tacked on… just seemed like this answer was already starting to resemble the introduction to a boring book by me that will be read by only me.
Of all the instruments you play, which is your favorite? Do any of them have names?
Autoharp. Definitely autoharp. I so far haven’t named any of my instruments, but I have named my utility knife. I call it Peggy Sue.
When you’re writing a song, which comes first – the music of the lyrics?
I’ve written both ways. Sometimes lyrics and music come simultaneously. I write when I’m feeling inspired and so I can’t rely upon a formula—I’m not talented enough… when I’m itching to create something I just kind of explore… it’s organic I suppose. So sometimes I’ve got an idea I want to write into words and sometimes I just want to pick something up and hum to it and see if anything of interest comes out.
Who would you consider your musical inspiration?
Musical inspiration? It’s kind of complicated. Music inspires me to do things other than write, record and perform music, while things that are not musical inspire me to write, record and perform music. So, now I need to figure out whether you want most to know what music inspires me to do things non-musical or what non-musical thing inspires me to be musical… To keep it limited, I’d say my biggest musical inspiration on non-musical activities is Four Tet. And I’m most inspired by my friends and family to create music.
Is there a comparison you would make between your music and something non-musical? A painter, building, dish of cereal?
Never really considered that before… perhaps one of those crayons that are like 4 colors in one and make a rainbowesque streak when you draw with the broad side, and a mess of mixed colors when you scribble.
If you could pick a perfect lineup of bands (dead or alive) for a show where The Seedy Seeds was the headliner, who would it be?
Oh my, oh my. There are so many ridiculously amazing bands that I would consider doing desperate things to share the stage with… but I have to say, if you didn’t know already, Cincinnati is brimming with some serious musical talent right now… and there’s nothing at all quite like playing a show with amazing bands that are also amazing friends. Right now I’d say the perfect bill for a show we’d be headlining would be: The Seedy Seeds / You, You’re Awesome / The Sheds.
What attracts you to a particular song? An artist?
It usually depends on the genre… I’m for sure captivated by melody and harmonies. I’m also very serious about lyrics—words I don’t like can ruin a song for me, and there are definitely entire catalogs by bands that I won’t touch on account of my lyrics pickiness. When I’m listening to electronic music or more minimalist music, I really like dynamism and balance. And more and more lately I’ve been really obsessed with production quality. To add to the list, I’m also kind of obsessed with mood in music. I love song elements that give me an overwhelming sense of a place, idea, feeling, or other noun, adjective or verb.
Which one person/band should I be listening to right this very moment? Why does their work get you excited?
You should be listening to Bro. Stephen
Listen to some of The Seedy Seeds!
and buy a disc, while you’re at it!